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https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/f21d5741-0396-40dd-88b9-7cfce5338c9d/TEST-pasmo-pie%CC%A8kna-1.jpeg What Do We Find Prettiest? 1 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/928c644a-8e12-4816-accc-4cec23af5c6e/TEST-pasmo-pie%CC%A8kna-2.jpeg What Do We Find Prettiest? 2 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/020c35f4-ab82-4b20-a259-ae2476e2c399/TEST-pasmo-pie%CC%A8kna-3.jpeg What Do We Find Prettiest? 3 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/d46ccb5b-d6fc-4277-a0ab-8bd02542bf00/TEST-pasmo-pie%CC%A8kna-4.jpeg What Do We Find Prettiest? 4 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/a788ebcc-e03b-4941-bcfa-4de7493960a9/TEST-pasmo-pie%CC%A8kna-5.jpeg What Do We Find Prettiest? 5 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/ac071f5d-8968-4bf1-a405-7eb27e29bff4/TEST-pasmo-pie%CC%A8kna-6.jpeg What Do We Find Prettiest? 6 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/d00f3c1e-618c-4c56-82dd-504ae91e8e8e/TEST-pasmo-pie%CC%A8kna-7.jpeg What Do We Find Prettiest? 7 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/ab3067c5-5e31-4eef-a627-0058a5617b27/TEST-pasmo-pie%CC%A8kna-8.jpeg What Do We Find Prettiest? 8 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/e1200f9d-7f7d-4380-9296-9cd9d02cba74/TEST-pasmo-pie%CC%A8kna-9.jpeg What Do We Find Prettiest? 9 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/9f14e418-dcec-4938-89eb-15419037980a/TEST-pasmo-pie%CC%A8kna-10.jpeg What Do We Find Prettiest? 10 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/97c00391-8e99-44a3-9d01-cc21ef3255b5/TEST-pasmo-pie%CC%A8kna-11.jpeg What Do We Find Prettiest? 11 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/e5320c6a-d20b-4905-9fa4-13d11fc7b807/TEST-pasmo-pie%CC%A8kna-12.jpeg What Do We Find Prettiest? 12 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/7edd8f3b-59e3-40e3-b6b6-b4978b70e2db/TEST-pasmo-pie%CC%A8kna-13.jpeg What Do We Find Prettiest? 13 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/67cd98dc-0b68-4647-9bb9-f986920a1a33/TEST-pasmo-pie%CC%A8kna-14.jpeg What Do We Find Prettiest? 14 https://www.compositionmatters.org/contact daily 0.75 2023-09-02 https://www.compositionmatters.org/about daily 0.75 2023-09-01 https://www.compositionmatters.org/chapter-i daily 0.75 2023-08-27 https://www.compositionmatters.org/chapter-ii daily 0.75 2023-09-02 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/a2f18578-80f7-43dc-baed-63afb5264112/Picasso.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/5dbdb15f-ed0e-4fcf-86fc-77159c6bc81c/Pieter_Bruegel_d._A%CC%88._007.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/128e6eca-aa1a-4c25-92c4-245b2b142824/xcake_01-e1528295748976.jpg..jpg Chapter II All elements of this composition are maximally contrasted with one another. The contrast is the same between the cherry, the cake and the sky. Similarly, the cloud contrasts with the complex form of the sky-cherry-cake group, and the table contrasts with all the other elements. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/4ffe4e0e-67f7-461a-a3d4-55f2926ccc72/xcake_02-e1528295760973.jpg.pagespeed.ic.721IShv4Za.jpg Chapter II If we increase the impact of the cloud by adding more contrast, it draws our attention away from the other elements and lessens the impact of the cake with the cherry. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/a14e5ed1-5be5-45f2-84ef-e45e9aa9a232/xcake_03-e1528295770233.jpg.pagespeed.ic.8RyKeDQ3qS.jpg Chapter II If we reduce the impact of the cloud, the cake with the cherry becomes the only element that draws our attention. The cloud is now below the pre-conceived level of maximum contrast established for the entire composition. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/c3cda866-2830-4473-81b5-c54022fc5fa7/xcake_04-e1528295784584.jpg.pagespeed.ic.f9c5dJ3fA9.jpg Chapter II If we also reduce the impact of the cherry, the cake becomes dominant, as the contrast between the cake and the sky is stronger than between the sky and the cloud or the cherry. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/cf8f9892-12f0-4733-9938-dda86da62a45/xcake_05-e1528295647146.jpg.pagespeed.ic.4tBF8_5tYU.jpg Chapter II We can achieve equilibrium again by decreasing the saturation of the sky and making the black table somewhat brighter. The level of maximum contrast for the entire composition is now lower than it was in the first image. There is no need to decrease the colour intensity of the cake, as the reduced impact of its surroundings has done so automatically. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/b078b3ec-9b06-484c-9a2b-41eaf4cbbba3/xcake_06-e1528295797865.jpg.pagespeed.ic.aTeEeTyY3o.jpg Chapter II Finally, we can brighten the sky without changing its saturation. All that stands out now is the cherry and the cake, contrasting with the table. https://www.compositionmatters.org/new-page daily 0.75 2023-09-01 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/c234d522-9d17-4c88-9d35-1baa901b5575/qotation.png https://www.compositionmatters.org/chapter-iv daily 0.75 2023-09-02 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/dbe57363-3f2f-490f-9ffd-a3b74ce91c10/xXW-A-1.jpg.pagespeed.ic.NIX5MHVRra.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/ae52a501-81e3-487a-ba1e-2500856c1757/xMatisse-2-B.jpg.pagespeed.ic.vlfA-oDblf.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/0cb8a3c1-5a06-415d-b1f6-8e89ce738906/xXW-B-2.jpg.pagespeed.ic.aqwrn6JGXC.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/c90be2c3-d49b-4243-9996-5e227d09d3dd/xMatisse-2-A.jpg.pagespeed.ic.FSlu8n4ujg.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/1e8d4eb2-e840-4750-9870-238bee3b97b6/xDP159188-C.jpg.pagespeed.ic.RihUste3Zg.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/dbe57363-3f2f-490f-9ffd-a3b74ce91c10/xXW-A-1.jpg.pagespeed.ic.NIX5MHVRra.jpg https://www.compositionmatters.org/introduction daily 0.75 2023-08-25 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/5e9b8ba5-7d1a-40fc-8c26-5d96834e4518/Screenshot+2023-07-25+at+16.18.09.png https://www.compositionmatters.org/chapter-v daily 0.75 2023-09-13 https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/b6a12470-afe3-4df0-8309-f1ff0af63f9f/xRenoir-1.jpg.pagespeed.ic.zfvno7nI0q.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/9515301d-d22e-4741-a599-830eb30aa6fa/xcezanne.jpg.pagespeed.ic.XzwJIob7Ge.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/7838bdcb-f680-41e7-879e-0bf973a90693/xszachowski.jpg.pagespeed.ic.ygq7K1vjNp.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/dca07182-c435-499f-a3dc-71e527b72150/xMonet-1.jpg.pagespeed.ic.OtWJ66TMjp.jpg https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/75086ccb-373a-4f16-ab2e-184f7f67e6a9/xGauguin-2-A.jpg.pagespeed.ic.wRvkFIbEl6.jpg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/b912d837-0d6f-4951-8259-a9d1c72d8f16/Picasso.jpg Chapter V Original: Each element of the painting remains contrasted with all other elements at the same level. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/f7599447-4f36-4314-b6fb-bfbc61a7822f/xbeckmann-A-2.jpg.pagespeed.ic.vc47eNRKHT.jpeg Chapter V Original (equilibrium) https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/32b276f5-acd1-417c-bd19-73d5e707d524/xauto_oryginal.jpg.pagespeed.ic.9gbv-pa1Dy.jpeg Chapter V Original (equilibrium) https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/44f07987-7015-4cb7-bc2b-c00307201091/xP.Bruegel-A.jpg.pagespeed.ic.xqRBZK9hzT.jpeg Chapter V Original (equilibrium) https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/75f55ba8-4ed3-436e-aa76-341e4c91b034/x3934-A-e1528299913485.jpg.pagespeed.ic.eG_qon_3Bi.jpeg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/927e30ba-5010-42bd-a571-e12bacdb8dbf/xWilliam-Aiken-Walker-A-e1528300083500.jpg.pagespeed.ic.MjDIT8F7AO.jpeg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/f16842fd-7ad1-4117-9f67-8e5999995d83/x1999-A-1024x587.jpg.pagespeed.ic.Z-xYN3nGSH.jpeg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/93632f32-6b65-4dcc-bd1d-4009bf3059ea/xTWNH-13-A-e1528300442847.jpg.pagespeed.ic.9wjC5qUmHE.jpeg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/4aae127d-1a44-44bc-81c7-6ab0f68ba69d/xGauguin-2-B.jpg.pagespeed.ic.cvw1GWRa6n.jpg Chapter V Modified version https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/980e0f17-f45b-47f9-85f0-bcb791e21ad2/xPicasso-B-e1528298217382.jpg.pagespeed.ic.LD5PDjh-EJ.jpg Chapter V Below the threshold: The women in the middle are not contrasted enough with the sections either side of them. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/f0fbf70b-bc7f-4341-9838-a9d42e075db8/xbeckmann-B-2.jpg.pagespeed.ic.Tyj-jBfNyd.jpeg Chapter V Below the threshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/b7e5d72c-dd2a-4713-b731-e02f807b7667/xauto_below.jpg.pagespeed.ic.TnT-DvZpfl.jpeg Chapter V Below the treshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/8b7bbd15-5855-4d48-b935-8186effa5761/xP.Bruegel-B.jpg.pagespeed.ic.HPsxvsQhN3.jpeg Chapter V Below the treshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/e697258b-f727-49ce-a8be-1cd5d71c54ee/x3934-B-e1528299903350.jpg.pagespeed.ic.ghT00wNeo0.jpeg Chapter V Modified version https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/ab62e33e-93d2-4c7d-bb42-e73bea974f09/xWilliam-Aiken-Walker-B-e1528300066982.jpg.pagespeed.ic.GOvu--qu68.jpeg Chapter V Modified version https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/173021da-935d-49ca-af0f-229cf089ca15/x1999-B-1024x587.jpg.pagespeed.ic.xZvM82fFXP.jpeg Chapter V Modified version https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/072c0813-7976-4561-8ff8-e14594c91828/xTWNH-13-B-e1528300434731.jpg.pagespeed.ic.vIETOo04kK.jpeg Chapter V Modified version https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/656ce5c3-572b-48ac-a11b-08c9fc454ddc/xPicasso-C-e1528298225735.jpg.pagespeed.ic.-yearNzRrW.jpg Chapter V Above the threshold: Increasing the saturation of blue in the section to the right of the women in the middle makes it stand out too much, decreasing the impact of all other contrasts in the composition. https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/ffe44036-5c51-48b7-a7fe-398b02765232/xbeckmann-C-2.jpg.pagespeed.ic.HhLfHL--Gc.jpeg Chapter V Above the threshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/332a41dd-41fe-465d-b248-2152cbd36b11/xauto_above.jpg.pagespeed.ic.6aRhEZFfsy.jpeg Chapter V Above the treshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/edc8ba32-f5d4-43e2-9b92-78272cda8351/xP.Bruegel-C.jpg.pagespeed.ic.0EgSK0Hv_m.jpeg Chapter V Above the treshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/d6640788-bcf6-4274-b688-bf71f9b0cf57/xbeckmann-A-2.jpg.pagespeed.ic.vc47eNRKHT.jpeg Chapter V Original https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/0f5cfcfa-6024-4966-99ec-72f3c05c7abf/xbeckmann-B-2.jpg.pagespeed.ic.Tyj-jBfNyd.jpeg Chapter V Below Threshold https://images.squarespace-cdn.com/content/v1/64bfa8aeb6a89949d1db68e6/30e96651-19bb-4582-8001-7441e4345f19/xbeckmann-C-2.jpg.pagespeed.ic.HhLfHL--Gc.jpeg Chapter V Above Threshold